In1961,StanislawRozewiczcreatedthenovellafilm"BirthCertificate"incooperationwithhisbrother,TadueszRozewiczasscreenwriter.Suchbrothertandemsarerareinthehistoryoffilmbutasidefromfamilyties,Stanislaw(bornin1924)andTaduesz(bornin1921)weremutuallyboundbytheirloveforthecinema.TheywerebornandgrewupinRadomsk,asmalltownwhichhad"itsmadmenanditssaints"andmostimportanly,the"Kinema"cinema,asStanislawrecalls:forhimcinemais"heaven,thewholeworld,enchantment".Tadeuszsaysheconsiderscinemabothacharmingmarketstallandamysterioustemple."Allthissavagelandhasalwaysattractedandfascinatedme,"hesays."IamdevouredbycinemaandIdevourcinema;I'macinemaeater."ButTadueszRozewicz,aneminentwriter,admitsthisuniqueformofcooperationwasaproblemtohim:"Itisthepresenceoftheotherpersonnotonlyintheprocessofwriting,butatitsverycore,whichisinserperableformefromabsolutesolitude."Somescenesthebrotherswrotetogether;otherswerecreatedbythewriterhimself,followingdiscussionswiththedirector.Butfromtheperspectiveoftime,itis"BirthCertificate",ratherthan"Echo"or"TheWickedGate",thatTadueszdescribesashismostintimatefilm.Thisisunderstandable.ThetradgeyfromSeptember1939inPolandwasfortheRozewiczbrotherstheirpersonal"birthcertificate".Whenworkingonthefilm,thedirectorsaid"Thistimeitisallaboutshakingoff,gettingridofthepsychologicalburdenwhichthewarwasforallofus....Cooperationwithmybrotherwasinthiscaseeasier,aswesharemanywarmemories.Wewantedtoshowtoadultviewersapictureofwarasseenbyachild....Inreality,itistheadultswhocreatedtherealworldofmassacres.Childrenbeheldthehorrorscomingbacktolife,exhumedfromunderneaththeground,overwhelmingtheearth."
Theprincipleofcompositionof"BirthCertificate"isnotobvious.Whenwatchinganovellafilm,wetendtothinkintermsoftraditionaltheatre.Weexpectthataminiaturestorywillfinishwithasharppoint;thethreefilmnovellasinRozewicz'sworklackthisfeature.Wedonotknowwhatwillbehappentotheboymakinghisalonethroughtheforesttowardstheendof"OntheRoad".Wedonotknowwhetherin"LetterfromtheCamp",thehelpofferedbythesmallheroestoaSovietprisonerwillrescuehimfromtheunknownfateofhiscompatriots.ThefateoftheJewishgirlfrom"DropofBlood"isalsounclear.Willshekeephernewimpersonationas"MarysiaMalinowska"?OrwilltheNazismakeherintoarepresentativeofthe"Nordicrace"?Thosequestionswereaskedbythedirectorforareason.Hepreceivedwaraschaosandperdition,andnotaslinearhistorythatcouldbereflectedinaplot.Although"BirthCertificate"issaturatedwithmoralcontent,itdoesnotaimtobeamoralityplay.Butwiththeimmensepressureofreality,novarientoffateshouldbeexcluded.ThisapproachedcanbecomparedwthKrzysztofKieslowski's"BlindChance"25yearslater,whichpictureddramaticchoicesofadifferentera.
Thefilmnovella"OntheRoad"hasaverysparingplot,butitdrewspecialattentionofthereviewers.TheominatingovertoneofthewarfilmscreatedbythePolishFilmSchoolatthattimeshouldbekeptinmind.MainlyowingtoWajda,thosefilmsdealtwithromanticheritage.Theywerepermeatedwithpathos,bitterness,andirony.Rozewiczisanextraordinaryartist.Whennarratingastoryaboutaboylostinawarzone,carryingsomedocumentsfromtheregimentofficeasiftheywereatreasure,thenarratorin"OntheRoad"discoversroughprosewhereoneshouldfindpoetry.Andsuddenly,theirrationaltouchesthisrathertameworld.Theboy,whountilthatmomentresembledaPolishversionoftheGoodSoldierSchweik,setsoff,likeDonQuixote,forhisfirstandlastbattle.Acriticdescribeditas"anabsurdgestureandsomeoneelsecouldsurelyuseittocriticisethePolishstyleofdying....ButtheRozewiczbrothersdonoaccuse:theyonlycomposeanelegyforthepicturesquepeasant-soldier,probablythemostimportantveteranofthePolishwarof1939-1945.""BirthCertificate"isnotaloftystatementaboutnationalimponderabilia.ThefilmrevealsaplebeianperspectivewhichAleksanderJackieqiczoncecontrastedwiththose"lyricallamentations"inherentintheKordiantradition.However,ahistoricaloverviewofRozewicz'sworkshowsthatthedistinctivestyledoesnotsignifyafundamentaldifferenceinillustratingthePolishSeptember.JustasthememorablescenefromWajda's"Lotna"wasinfactanexpressionofdesperationanddistress,thesameemotionspermeatethefinalsceneof"BirthCertificate".Thesearenotideologicalconcepts,thoughoncedescribedassuchandferventlydebated,butratherpsychologicalcreations.Inthisspecificcase,observesWitoldZalewski,itisnotaboutmanifestingknightlypride,butaboutagestureofasimplemanwhodoesnotagreetobeenslaved.
Thenovella"DropofBlood"is,withAleksanderFord's"BorderStreet",oneofthefirstnarrationsofthefateofthePolishJewsduringtheNazioccupation.Thestoryaboutagirlliterallylookingforherplaceonearthhasadramaticdimension.Especiallyintheageoftoday'sjournalisticdisputes,oftenmanipulative,lackinginempathyandimbuedwithbadwill,Rozewicz'sstoryfromthepastshockswithitsauthenticity.ThesmallherioneofthestoryistheonlyonewhosurvivesaGermanraidonherfamilyhome.Physicalsurvialdoesnot,however,meanareturntonormality.Herfrighteneddeparturefromtherubbishdumpthatwasherhideoutleadhertoaruinedapartment.Herwalkarounditispainfulbecausestillfreshsignsoflifearemixedwithevidenceofannihilation.Helpisneeded,butMirkadoesnotknowanyoneintheoutsideworld.Hersubsequentattemptsexpressthestateofthefugitive'sspirits-fromhopeandfaith,movingtodoubt,asenseofoppression,andthickeningfear,andfinallytodespair.
Atthesametime,theJewishgirl'ssearchforrefugeresemblesthestateofPolishsociety.TheappearanceofMirkaresultsinconfusion,andlater,trouble.ThiswasalreadysignalledbyRozewiczinanexceptionalscenefrom"LetterfromtheCamp"inwhichtheboy'sneighbour,seeingafugitiveRussiansoldier,retreatsimmediately,admittingthat"Now,peopleworryonlyaboutthemselves."Suchembarassingexcusesmaskfear.Duringtheoccupation,noonefeelssafe.Neithersocialstatusnottheaegisofacharityorganisationprotectsagainstrepression.WeseethepotentialguardiansofMirkapassingherbackandforthamongthemselves.Thesearefriendlyhandsbuttheycannotofferstrongsupport.Thestorytakesplaceonthatthinlinebetweensolidarityandheroism.Solidarityarisesspontaneously,butonlysomearecapableofheroism.Helpforthegirldoesnotalwaysresultfromcompassion;sometimesitisbasedonpastrelationsandpersonalties(aneighbourofthedoctortakesinthefugitiveforafewdaysbecauseofpastfriendship).Rozewiczportraysallofthisinasubtleway;eventhesmallestgesturehassignificance.Take,forexample,theconversationwithastrangeronthetrain:short,asifjotteddownonthemargin,butsofulloftension.Andearlier,apeculiarexaminationofPolishness:the"HolyFather"prayerforcedonMirkabythevillageboystocheckthatsheisnotaJew.Wouldnotrisingtothechallengemeanadeathsentance?
Viewedaftermanyyears,"BirthCertificate"disclosesyetanotherqualitythatisnotpresentintheworksofthePolishSchool,butisprominentinlaterB-classwarfilms.Thisisthepictureofeverydaylifeduringthewarandoccupationoutlinedinthethreenovellas.Itharmoniseswiththelogicofspeakingabout"lifeafterlife".SmallheroesofRozewiczsuddenlyentertherealityofwar,withnoexperienceorscalewithwhichtocompareit.Forthem,thepresentisanaturalextensionofandatthesametimeacompletenegationofthepast.Considerthesleeysmall-townmarketplace,throughwhicharmouredcolumnswillshortlypass.OrmeettheGermanmotorcyclists,wholooklikealiensfromouterspace-apicturetakenfromanautopsybecausethisishowStanislawandTadueszperceivedthefirstGermanstheyevermet.Notetheblurredsilhouettesofpeopleagainstawhitewallwhoarebeingshot-atfirsttheyareshocking,butsoontheywillprobablybecomeapartofthegrimlandscape.Inthecitycentrestandsaprisonercamponasoddenbog("Peopleperishlikesflies;thebodiesaretransportedduringthenight");inthestreetthechildernarerunningafteracoalwagontocollectsomepreciouspiecesoffuel.There'sabustlearoundsomefood(aboyreproacheshisyoungerbrother'sactionsbysinging:"Thewarrantofficer'ssonisbegginginfrontofthechurch?I'mgoingtotellmother!");andthekitchen,whichoneeveningbecomestheprosceniumofarealdrama.Andtherearethesymbols:abarofchocolateforceduponaboybyaWehrmachtsoldier("OntheRoad");apairofshoesbelongingtoZbyszek'sfatherwhichtheboyspontaneouslygivestoaRussianfugitive;apricelesssliceofbread,ground undertheheelofapolicemanintheguter("LettersfromtheCamp").Asthedirectorputit:"Ineveryfilm,Icommunicatemyownvisionoftheworldandofthepeople.Onlythenthestylefollows,thedefinedwayofexperiencingthings."InBirthCertificate,headds,hisapproachwasdrivenbythesubject:"Iattemptedtocreatenotonlythetextureofthedocumentbutalsotoaddsomepoeticelement.Iknowitisriskybutasforthemergerofdocumentationandpoety,oftenhiddenverydeep,ifonlyitmanagestomakeitswayontothescreen,itresultsinwhatcanreferredtoas'art'."
After1945,therewerenumerousfilmscreatedinEuropethatdealtwithwarandchildren,including"SomewhereinEurope"("ValaholEuropaban",1947byGezaRadvanyi),"Shoeshine"("Sciescia",1946byVittoriodeSica),and"ChildhoodofIvan"("Iwanowodietstwo"byAndriejTarkowski).Yettherewerefewerthanonewouldexpect.Pursuingasubjectsoimbuedwithsentimentalismrequiresstylisticdisiplineandaspecialabilitytomanagechildactors.Theauthorof"BirthCertificate"masteredboth-anditwasnotbychance.StanislawRozewiczwasalwaysthebeneficentspiritofthefilmmilieu;hecouldunitepeoplearoundacommongoal.Heemanatedpeaceandsensitivity,whichflowedtohisco-workersandpupils.Afilm,beingagroupwork,necessitatessomeformofempathy-tuninginwithothers.
InabiographicaldocumentaryaboutStanislawRozewiczentitled"Walking,Meeting"(1999byAntoniKrauze),thereisabeautifulscenewhenthedirector,afterafewdecades,meetsBeataBarszczewska,whoplaysMireczkainthenovella"DropsofBlood".Thewomanfallsintothearmsoftheelderlyman.Theyarebothmoved.Hewondershowmanyyearshavepassed.Sheanswers:"Afewyears.Nottoomany."AndRozewicz,withhischaracteristicsmilesays:"Itistrue.Wespentthisentiretimetogether."
原创小说(漫画)作者:抽丝剥茧环环相扣,越来越引人入胜,剧本真的不错,还有笑点,一点都不单调,还有一点,就是这部战争/灾难场景切换真是太电影级了,非常用心了,摄制组剪辑租也好评,此外啊这部战争/灾难 真的是一股清流,节奏挺好的,笑点也都刚刚好,演员演技都在线,剧情有点烧脑,非常推荐各位持续关注啊。
猪八戒影院网友:这部战争/灾难 最近在全网都上映了,各大影迷剧迷朋友也非常期待想要一饱眼福全部一览而尽,目前更新的最新状态是HD,如果想了解更多的可以去百度百科或者搜狗知道问一下。
陀螺影视网友:剧情翻转的太匪夷所思了,演员们的演技堪比奥斯卡那群,剧情的结局男女主角通过饱满演艺技巧 ,讲故事的结局娓娓道来,节奏把握的还非常好,每个人物角色都发挥的淋漓尽致,故事结尾的彩蛋呢不能一一详尽道来,有关注出生证明的朋友们可以一点点看下去,一定不会让你们失望的。
樱花动漫网友:目前收官在1961,故事的拍摄地是在其它 ,非常期待。
VIP影院网友:各位小伙伴们,出生证明是由Andrzej Banaszewski Beata Barszczewska 马里乌什·德莫霍夫斯基 激情演绎的。
全网VIP影视网友:这个问题好简单的啊,除了爱奇艺官方视频网站外,还有优酷视频、芒果TV、优酷视频、不太囧影视 - 手机在线,超高清免费电视剧电影大全|全网同步蓝光更新出生证明全集、此外还有百度视频等平台看正版资源。
6080电影网友:您可以用手机打开百度APP在搜索框里输入:出生证明手机在线观看免费,就可以找到免费正版播放资源了。手机免费看出生证明网址:https://m.sbtj.com/list/119979/,这个网站免费无广告。
特片网友:刚看完,感觉还不错,很多经典的台词和以往的高分影片有异曲同工之妙,情感描绘的非常细腻,复杂的情感和内心的忐忑都表达了出来,还有一些台词非常的搞笑,让人捧腹不已。
豆瓣网友:疫情当下,不能去电影影院一览略有遗憾,这部战争/灾难我给的豆瓣评分是8.5星,近两年战争/灾难的发展可谓是迅猛如飞,精湛的拍摄技巧,场景架设,演员们越来越细致的演出,都把战争/灾难推向了另一处高峰,但是可能需要兼顾经典的战争/灾难中那些淳朴的情感细节,会更加的能够弥补剧情的不足,所以给出了一个非常中肯的评分,但在我内心深处还是非常看好这部片的评分的,应该可以在7分~9分之间。
IMDB影评:我已经记不清我看过这部战争/灾难的次数了,但它已经超过了 20 次。它一定是有史以来最好的战争/灾难之一。应有尽有,精湛的演员,更好的剧本,神话般的救赎结论,当我坚持所有这些说他们没有忘记娱乐时,相信我。
烂番茄影评:第一次这么喜欢一部剧的女主角这个角色不仅聪明、独立、淡然而且还很有自己的主见,特别是略微带有的那一点狡黠 真是可爱极了,男主角霸气中还带着温柔的绅士风度,一副天然的霸道总裁模样,真的太让人着迷了。
详情话题2025-06-01
话题2025-06-01
话题2025-06-01
话题2025-06-01
话题2025-06-01
